The black zigzag shapes that cut through a dusky background convey the dynamic motion and tumultuous activity of a raging storm. ![]() An amorphous shape in the painting’s lower half captures a sense of the fluidity of a swirling sea in shades of blue, green, and ivory. Read more: Bring a bit of New Mexico into your abode-no matter where you live-with hues inspired by her works.Įven her most nonobjective painted works-say, Series I – From the Plains (1919), with its earthbound title and its compositional elements of a world below and sky above-suggest place. Although she veered more toward representational imagery as time went on, the exhibition makes it evident that both the real and the abstract are in constant dialogue in her works. After any amount of time spent viewing her work, it’s clear that the painter looked at the world as a series of interrelationships in which color and form were paramount. “There are all of these varying degrees of abstraction that she plays with and returns to throughout her career,” says Bess Murphy, the museum’s curator of art and social practice. In the show, 13 works from the museum’s collection display unusual takes on sky, land, and water. In Santa Fe, the Georgia O’Keeffe Museum’s current exhibition Radical Abstraction (through October 30) underscores the significance of the style to her career. Her work always contained an interplay between the representational and the abstract, reflecting the way she experienced the natural world. Two years later, when O’Keeffe was chair of the art department at West Texas State Normal College, her views of the region’s Palo Duro Canyon became the subject of a series of abstract watercolors. Under Dow, O’Keeffe shifted to a more abstract style of painting, though she never abandoned place as a subject. Dow’s principles were influenced by Japanese art forms, particularly the ukiyo-e (floating world) woodblock print tradition. In 1914, O’Keeffe studied under Arthur Wesley Dow at Teachers College of Columbia University in New York City. ![]() While no place rose to the level of New Mexico as a source of artistic inspiration, O’Keeffe traveled far and wide, and the spirit of each place found dynamic expression in her work. Known for her iconic paintings of desert primroses, orchids, and other flowers, as well as for her color-saturated landscapes of northern New Mexico, O’Keeffe also maintained a lifelong interest in abstraction that was fundamental to the mostly representational vision she expressed.Ī strong sense of place always filtered into O’Keeffe’s subject matter, including the years she spent in New York with her photographer husband, Alfred Stieglitz, in Manhattan and Lake George. But the early years of New Mexico–based painter Georgia O’Keeffe were integral to her developing sense of abstraction, which she embraced over a career that spanned more than 60 years. WE KNOW THE SOUTHWEST’S MOST FAMOUS PAINTER for the objects she made more beautiful on canvas: flowers and bones, mesas and adobe.
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